First UK museum exhibition
27 July - 3 October 2010. Tues - Sun, 10am - 5.30pm
"I paint from landscapes of the memory I carry with me
and feelings from the memory of them which naturally become transformed...
I prefer to leave nature to itself. I do not intend to improve it...
I could never mirror it. I love most of all what it leaves inside me."
During the Edinburgh Art Festival 2010 Inverleith was delighted to present the first museum exhibition in the UK devoted to the artist Joan Mitchell (1925 - 1992) who is widely regarded as one of the most singular and important American painters of the post war period.
Mitchell studied at the Art Insititute of Chicago before mobing to New York in the late 1940s where she became the youngest member of the Abstract Expressionist movement, enjoying the support of artists such as Willem de Kooning and Franz Kline. In 1959 she left the United States and moved to France, where she lived and worked for the rest of her life. There she developed a highly personal painterly style - synthesizing an Abstract Expressionist tendency with the traditions of High European painting.
The exhibition comprised of seven paintings on canvas and five works on paper (from public and private collections in Europe and America), made throughout the artist's career from 1958 to 1992 and it considers Mitchell's work in light of her love of nature and poetry A poet's painter, Mitchell was a lifelong reader of William Wordsworth, John Clare, Gerard Manley Hopkins, Wallace Stevens and Rainer Maria Rilke. During her time in New York she befriended key figures of the then emerging New York school of poetry (James Schuyler, Frank O'Hara, and John Ashbery), while in France she came to know Samuel Beckett and Jacques Dupin. Like these writers, Mitchell expressed through her painting a complex interplay of emotion, memory and sense of place.
On display on the lower-ground floor was a selection of archival material from the Joan Mitchell Foundation's collections, accompanied by Marion Cajori's celebrated film Joan Mitchell: Portrait of an Abstract Painter, which offered an intimate and moving portrayal of the artist.
The exhibition was selected by New York based writer and curator Phillip Larratt-Smith and is presented in association with the Joan Mitchell Foundation, New York. A catalogue featuring conversations with the American Writer Paul Auster and sculptor Lynda Benglis is available, please contact the gallery for details.
- I still believe in miracles
- Raoul De Keyser: Paintings 1967 to 2012
- Nicolas Party: Boys and Pastel
- John Chamberlain
- Autumn Screening: Anne-Marie Copestake & Duncan Marquisswith speakers Isla Leaver-Yap & Francis McKee.
- Alex Dordoy: persistencebeatsresistance
- Corin Sworn
- Isa Genzken: Botanical Garden
- Tony Conrad: Invented Acoustical Tools 1969 - 2014
- Derek Roberts: Northern Paintings
- Ciara Phillips: And More, Nature Printed and Rory McEwen: The Tweed Road
- Mostly West: Franz West & Artist Collaborations
- Dan Colen: The Illusion of Life
- Luke Fowler with Toshiya Tsunoda and John Haynes
- William McKeown (1962 - 2011)
- Philip Guston: Late Paintings
- Andy Hope 1930: When Dinosaurs Become Modernists
- Claude Cahun (1884 - 1954)
- Sue Tompkins
- Thomas Houseago: The Beat of the Show (Indoor Sculpture)
- Robert Rauschenberg: Botanical Vaudeville
- Andrew Kerr - So Ensconced/Maya Deren
- Victoria Morton with films by Anne-Marie Copestake
- Vincent Fecteau and Forests and Gardens of South India: Hugh Cleghorn (1820 - 1895)
- Marc Camille Chaimowicz
- Hayley Tompkins: Autobuilding
- Cerith Wyn Evans
- John McCracken
- KARLA BLACK: SCULPTURES
- Tony Swain: Impure Passports
- Nick Evans: Primary School
- Louise Bourgeois: Nature Study
- John Hutton Balfour (1808-1884): Nature Study
- Richard Hamilton: Protest Pictures
- Juergen Teller - Awailable
- Lilian Snelling
- Andrew Miller - Sixes and Sevens
- William Eggleston - Portraits 1974
- Smith/Stewart: Enter Love and Enter Death
- Roni Horn - Angie and Emily Dickinson
- Rudolf Stingel
- Rungiah and Govindoo - South Indian Botanical Drawings 1826-1853
- Robert Ryman at Inverleith House
- Douglas Gordon - Superhumanatural
- Mat Collishaw
- Ian Hamilton Finlay - Sentences
- Mark Leckey - Jackin' World
- Keith Farquhar - New Work
- Robert Therrien
- Jim Lambie - Kebabylon
- Andy Warhol - Private Drawings From the 1950s
- Gary Rough - Mantelpiece
- Simon Periton - Mint Poisoner
- Julian Schnabel
- Hellen van Meene - Japan Series
- Ruth Vollmer
- Cathy Wilkes
- The Dapuri Drawings
- Alan Charlton
- Cy Twombly
- Stanley Kubrick - Still Moving Pictures 1945-1950
- Lucy McKenzie and Paulina Olowska - Heavy Duty
- Ulrich Ruckheim
- Franz West - Meeting Points
- Ed Ruscha – The Mountains
- Stella Ross-Craig - Drawings of British Plants
- Kevin Henderson - Zebra
- The British Art Show Five
- John Hutton Balfour's Teaching Diagrams (1845-1879)
- Laura Owens - New Work
- Lawrence Weiner - Time + Place
- Bloomberg New Contemporaries
- David Austen: New Work
- Richard Tuttle: Grey Walls Work
- Paul Keir: New Work &; Susan Derges: The River Taw
- Susan Derges: The River Taw
- Myron Stout
- Melissa Kretschmer: Tsunami (The Caledonian Hall, RBGE)
- Carl Andre: 12 Isohedra
- Angus Hood and Christine Frew
- In Visible Light: Photography and Classification in Art, Science and the Everyday, various artists
- The British Art Show 4, various artists
- Callum Innes
- Cecilia Vicuna: Precario: Words & Thread
- Absolut Blue and White, featuring; Catriona Grant, Gary Rough, David Shrigley
- Alan Johnston: Haus Wittgenstein/ Inverleith House
- Chris Drury: Vessel: Sculpture 1990-1995
- Lothar Baumgarten: Conservatory (The Glass Houses, RBGE)
- Raymond Booth: Japonica Magnifica, from the Fine Art Society, London
- Margaret Stones: The Flora of Louisiana (from Louisiana State University, Baton Rouge. USA)
- herman de vries: flora
- Andy Goldsworthy: Hand to Earth - Sculpture 1976-1990 (1990)
- Chris Drury: Shelters and Baskets
- Archive (1)
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