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Invented Acoustical Tools 1969 - 2014
Saturday 25 October 2014 - 18 January 2015
(Closed 21 December - 6 January)
Tony Conrad, Fair Ground Electric Horn, 2003. Courtesy of the Artist & Galerie Buchholz, Berlin/Cologne.
Inverleith House is delighted to present the first
major solo exhibition in the UK by the legendary American artist, Tony
Conrad (born 1940, Concord, New Hampshire; lives and works in Buffalo,
New York). The exhibition
explores Conrad’s contribution to improvised music and enduring
relationship with free invention as it relates to his film and
performance work through a comprehensive presentation of the artist’s
invented acoustical tools - self-developed musical instruments made from
The exhibition also presents two new sound works, Conrad’s most seminal film The Flicker (1966) screened here in 16mm, as well as a feature length documentary of the artist playing the acoustical tools from 2012.
Presented in partnership with Galerie Buchholz, Cologne/Berlin, and Greene Naftali, New York. With thanks to the Tony Conrad Supporters Circle.
Philp Guston: Late Paintings
This publication documents the acclaimed 2012 Inverleith House exhibition of the same name – voted one of the top 100 exhibitions worldwide in 2012 by Artforum magazine – and features photography by Michael Wolchover and texts by David Anfam, Paul Nesbitt and Philip Larratt-Smith.
Guston: Late Paintings
Edited by Paul Nesbitt. Texts by David Anfam, Philip Laratt-Smith, Paul Nesbitt.
In 1967, Philip Guston (1913 - 80) left New York city for Woodstock where - abandoning the Abstract Expressionism of the previous decades - he revisited the figurative imagery of his youth. Cartoon-like in quality, these paintings began to incorporate motifs familiar to him since childhood, from the hooded figures of Ku Klux Clan, to everyday objects such as lightbulbs, shoes and cigarettes. When these paintings were shown for the first time in 1970, they proved highly controversial, but soon gained critical recognition and are now widely regarded as some of the most compelling and influential works of the late twentieth century. Published from the acclaimed exhibition, Philip Guston: Late Paintings held at Inverleith House (which was featured in Artforum's Top 100 Exhibitions of 2012) this handsome volume includes installation views, colour plates, an illustrated interview, essays and additional plates in both colour and black and white
Published by The Royal Botanic Garden Edinburgh.
Hardback, 13 x 12 in. 60 pages.